Early Morning Thoughts

It’s early in the morning. I couldn’t sleep, but not because I was hungry. These poems need very little explanation. I’m so very fortunate to have shelves of books, a good home, three meals a day, and people who know where I’ll be sleeping tonight. It’s not just the poor that need you today. Somebody you know is lonely, or just needs to hear your voice. Take a minute, and we’ll talk more next time.


Get Up

Get Up
GET...... UP, you’re thinking about the game anyway.
You’re looking sideways at Janet Thompson’s legs
anyway.

Get Up
Walk back the aisle. Don’t think about
the stares, the whispers, or the preacher.
Push open the double doors at the back of the sanctuary,
run down the limestone steps, across the flagstone walk,
past the parking lot full of shiny cars, and up the street.

Run to the corner where the old woman
sits on the grate, wipes the snot from her nose,
cracks the snow from her hair.
Walk up to her and beg her forgiveness,
rip your pocket off, and give her all the
money you have.

Maybe
Maybe
Just maybe then, you’ll really know what
to pray for, and what the truth is.



Hollow People
Cincinnati 1972

The hollow people of the city are kept north of 13th street by police batons and threats, where they wont spoil the store windows and the suits can walk to lunch without seeing reminders of the real world.

Up there above the parkway where the canal used to be they wait for lunch at the Catholic Church and sleep on cots in the mission. Others who know the secret, walk along the Race Street wall and fade from view into the shadows where the transformer vault is hidden beneath the sidewalk.

Under cardboard they are warmed by the green boxes and sleep to the hum of electricity flowing through copper coils. A few blocks away the office workers, cubical sitters, and bank presidents are giving them comfort by just turning on the lights.

Contest Woes

Let’s rest for a minute. I’ve spent the last day or so cleaning my office. I have no idea who came in and messed it up like that, but it’s better now, and I actually found some treasures that have been gone for so long I forgot I had them. Don’t sit there and smirk at me, you know what I’m talking about.

Since I’m dumping on you, I might as well continue. Have you entered any contests lately? The reason I’m asking is that I have spent the last week reading entries in two contests. In the first contest I am judging two categories, and they are poetry only groups. The last is a contest where prose was allowed with the poetry, but there were fewer entries. This isn’t the first time I’ve been asked to be a judge, and I am honored to be chosen. Now comes the big pause!

When judging I start with the format and contest rules or guidelines. If the contest says 56 characters and not more than 40 lines, why would a person send in a poem that covers two pages? Do you think that they figure that the poem is so well written or that it is such a wonderful and memorable work that the judge will swoon and say, “Let’s just throw the rules away, and give this person first place?” Maybe they don’t know how to use their word processor to find line length, and they think that the spaces between stanzas don’t count.

And what about the ones that have a paragraph written just before the poem telling why it was written, and what a wonderful story I’m about to read? And what about the poem about flowers and the sun rising that’s written in all capital letters, and I get the feeling that Little Red Riding Hood is sitting opposite me yelling at the top of her lungs?

Now you know why I drink decaffeinated coffee.

Deep Breath

Unfortunately at first read these things disqualify many poems and they go on the “NO” stack. There are other things that don’t disqualify an entry, but don’t always have a place in a serious contest, unless the rules specify otherwise.

Having everything centered on the page can be the mark of an amateur, but it can also be an important format for that individual poem, so I always take a look at format to see if it helps or hinders a poem. The poem that is shaped like a bird with the big space where the eye should be deserves no comment.

Some poems I’ve seen only prove to me that the poet was more concerned with getting something in to the contest to beat the deadline, and cared nothing about spelling, punctuation or form. It’s a shame.

Then there are the gems that come to the top of the pile, and I sit and have to turn my head to the wall, in the coffee shop, to hide the emotion I feel when reading a rare and beautiful poem. Those are why I continue to judge contests, and why it is such an honor for me to give that person an award.

If you are part of a writer’s group, encourage the writers to enter contests, and take some time to discuss what submission rules are, and what they mean. Help each other.

After all of that ranting I have no idea what poem to share with you today. Maybe this pantoum will calm us all down. Have a wonderful day, and I’ll see you here again soon.

Sacred Circle

As the medicine wheel turns
my soul walks the spokes.
Mysteries unfold to a seeking heart.
Years passing like shooting stars.

My soul walks the spokes,
while God’s hand turns the wheel.
Years passing like shooting stars
casting brief shadows on the wind.

While God’s hand turns the wheel,
mysteries unfold to a seeking heart,
casting brief shadows on the wind,
as the medicine wheel turns.

Robert W. Kimsey 2009

Bug In The Car

Let’s talk about getting started. It’s never been much of a problem with me over the years. The ideas come from friends, family circumstances, pictures like the one of my Mother and I on the right, and many other places. I’m not telling you anything new here, in fact we have discussed this before. However, reading other writer’s poems is by far my best way of getting started. W. S. Merwin just knocks me out with his amazing, insightful poetry, and here’s a secret. I love women poets.

My collection of books has a majority of women poets, and there is one outstanding reason for that. They are so honest in their writing. They aren’t afraid to put words on paper, and to shed all outward shells, and dig down deep into the true meaning of what they feel.

Sharon Olds, Anne Sexton, Sylvia Plath, and others. If you can read those poets and not have images floating around you, well, do something else because this writing life just isn’t your “thing.” And there are many others. I found a wonderful book at a sale called The Oxford Book Of Australian Women’s Verse, edited by Susan Lever. What wonderful poetry! I love to read poetry from different cultures because they bring images to me that I may have never discovered about my own culture.

So, you’ve read, and nothing is happening, and you’re on a trip or just going to work, and there it is, a poem floating around your car like a bug that’s flown in the window. I used to grab a pad of paper from my bag and try to stay on the road while I jotted down crucial words and lines. It’s just like an older version of texting while driving. DON’T DO IT! Now I pull over and jot it down, or better yet I have a small recorder I keep in my bag for just those times. Yes, when stopped at a light people look at you funny, but you can just mouth the words, “I’m a writer,” and they will shake their head and look the other way. Don’t let those bugs of verse get away. You’ll never have them again, and worse yet, they might just fly out and into another poet’s window.

Here’s a new poem. It appeared on a long drive, but I’ve revised it, and read it to my critique group, and now I’ll share it with you. I’m sorry to return to this theme, but I think this is the last poem on the subject. Well, you know how that is.

Funeral Clothes

After 6 hundred and 33 miles, and 2 years
a night time phone call put me on the road.
Her husband’s voice, strained, saying,
your mother has had an attack
and maybe you haven’t heard,
her mind is leaving a little each day.
You might want to come.

So in the growing light of a new day
I packed a duffel, and on the hanging bar
carefully chosen, I hung funeral clothes,
and hummed to myself
as I merged with others headed north.

Two days of mountain roads and city traffic
long minutes before knocking on the door,
then there she was, small, in a printed gown
plastic band still around her black and blue arm,
a little girl’s smile and a hesitant caress.

Hurry she said, settling on the couch
legs pulled under a tattered afghan,
then whispered, see, there’s Roy.
Black and white cowboys on the screen.
A young man she once knew as Leonard.

A moment alone,
and the question burning on my tongue.
Mother, do you know who I am?
And the answer,
I love it when he sings with Dale,
don’t you?

In the growing light of a new day, I stood in the hall
decided not to wake her
afraid of being a stranger in her room.
So I dressed in funeral clothes, and hummed to myself
until I merged with the others, headed south.

© Robert W. Kimsey 2009